Los Angeles (CNN) In what can often be a divided world full of bitter political battles, social and economic injustice, racial and religious persecution — it’s easy to get lost in it all. So how do you find your way? Your purpose?
Dan Eldon found his early, and risked his life — ultimately losing it — to document and aid those struggling with war and famine in Africa. He died as he reported on the civil war in Somalia in 1993. Now, his story is a feature-length film on Netflix.
Writer and director Bronwen Hughes came across Dan’s story by reading the aptly titled book, “The Journey is the Destination” — compiled by Dan’s mother, Kathy, based on the dozens of journals he left behind.
“When you open the pages of that book, it’s like going down some kind of rabbit hole — so many witty observations and ideas,” Hughes told CNN. “It was almost as though he had left a visual map of how to see the world through his eyes.”
Dan Eldon was born in England in 1970. When he was 7 years old, he moved with his parents and younger sister Amy to Nairobi. The color and chaos of Kenya was ideal for this dyslexic kid with wild ideas.
‘One of the most exciting people I’ve ever met’
Dan trailed his mother, Kathy, a newspaper journalist who championed activists and nation-builders in her columns. His young mind was captivated by these societal pioneers. “These people didn’t necessarily ask permission and they didn’t necessarily get licenses but they solved whatever the problem was and I got to write about it,” Kathy Eldon told CNN.
Barely a teenager, Dan was already earning photo credits in the newspaper and Kathy encouraged him to find his own important stories.
“When he was 14, it was very logical for him to find a solution to a little girl who needed a heart operation,” Kathy said. He designed boxer shorts and T-shirts and set up bake sales and dance parties to raise money to pay for the surgery.
Then, he helped support a Maasai mother by buying and selling her handmade jewelry to put her kids through school and later organized a dangerous trek across five East African countries to bring desperately needed aid to a Mozambican refugee camp in Malawi.
Jeffrey Gettleman, a Pulitzer Prize-winning journalist and South Asia bureau chief for the New York Times, was part of the Malawi convoy. Gettleman credits Dan with changing his life and is featured prominently in his new book: “Love, Africa.”
“Dan was one of the most exciting people I’ve ever met,” Gettleman told CNN. “He was funny, gutsy, charming as hell and he had this special ability to instill confidence in others. Whenever he came up with an idea — to make a spoof film, to execute a ‘mission’ to a local bakery, to ride through a rough part of town and try to befriend the toughest-looking people — he didn’t present it as his idea; it was ‘our’ idea.”
The Eldon-led group of young activists raised thousands of dollars to pay for two wells, tools and blankets for the refugees. Kathy describes Dan’s ever-evolving sense of mission: “He went from an individual to a family to a country. So, it was a very logical trajectory of the power of one.”
‘He ran at life’
Dan believed that “we can all create positive change.” That message was stamped on his DNA. He bled for his work, found freedom in adventure and lived life as a safari.
“He was an activist. He was a humanitarian. He had a lot of fun doing good in the world. He was bold. He ran at life,” sister Amy Eldon told CNN.
With each excursion, Dan filled the pages of his journals with words of wisdom and richly textured artwork that tackled good versus evil, the role of violence in society and the effect of war on humanity.
Inside those pages, Dan scrawled out a mission statement. This was part of it: “To explore the unknown and the familiar, distant and near, and to record, in detail with the eyes of a child, and beauty of the flesh or otherwise, horror, irony, traces of utopia or Hell.”
His work in Somalia exposed him to all of those and more. Acting on a rumor about famine in the town of Baidoa, Dan did what he’d always done — grabbed his camera, hopped on a plane and set off on a journey in search of the truth.
When Dan arrived, he was horrified by what he saw: scores of dead babies, skeletal children and starving adults. Dan’s pictures were published in newspapers around the world and were among the first to expose this growing humanitarian crisis.
Reuters’ youngest-ever correspondent
As famine turned to civil war, Reuters spotted Dan’s work and hired him to document the increasingly dangerous situation on the ground in Somalia — becoming the organization’s youngest-ever correspondent.
Amidst the tanks, bullet holes, fire and fury of war were images of fatigue-draped soldiers extending compassionate hands to children and villagers rejoicing in fleeting moments of peace.
Even in a war zone, Dan found ways to connect. The locals referred to him as “the mayor of Mogadishu.” He wore a monkey mask and danced around to break the ice with kids who had seen far too much. They trusted him. He was one of them.
But then, on July 12, 1993, US helicopter gunships targeted a compound that they believed was a gathering place for Gen. Mohamed Farrah Aidid and other warlords. The bombs killed dozens of people, but Aidid was not among them.
Dan was at his hotel at the time of the raid. His bags were packed. He was scheduled to leave for Nairobi later that day. But when several witnesses arrived at his door asking him to photograph the carnage, Dan and four other colleagues headed out to the scene.
He knew the risks. But Dan knew these people and felt safe. Once they entered the compound and began snapping pictures, an angry mob turned on them. Their cameras were met with stones, knives and fists, as enraged locals took out their ire on Dan and his friends.
Dan and three other journalists were killed. He was just 22 years old.
‘I knew I had to make a movie’
Kathy vowed that her son’s death would not be in vain. “When I heard the news, honestly within a few minutes, I knew that I had to make a movie that could ignite a movement of people to believe they had a role to play in changing the world around them. That sounds terribly grandiose and out of sight, but somehow, I knew this is what I had to do.”
For more than two decades, Kathy persevered through many rounds of financial backers and cast changes before finally realizing her dream. “The Journey is the Destination,” starring Ben Schnetzer as Dan, Maria Bello as Kathy and Ella Purnell as Amy, premiered at the 2016 Toronto International Film Festival and earlier this month began streaming on Netflix.
“It was an extraordinarily humbling and inspiring experience to play a part in telling Dan and Kathy’s story,” Schnetzer told CNN. “I hope the film will introduce a new audience to Dan’s art and writings.”
Maria Bello told CNN she actually met Kathy several years before she was cast to play her, something that helped her bring authenticity to the role.
“Her book, ‘In the Heart of Life,’ really shows the complexity of being a mother who is brave enough to have given her children roots and wings. I tried to embody that in the performance,” she said. “In a world filled with ‘us against them’ mentality, Dan’s story is a lesson in ‘there is only an us.’ Most everyone in the world wants peace and happiness for their children and to be accepted.”
Somali and Mozambican refugees participated in film
Filmed in South Africa, Hughes worked with Somali and Mozambican refugees who had actually lived through the conflict in order to make the film as authentic as possible. “Ultimately, I’m hoping that Dan’s skill for connection, the kind of idea that no matter where he traveled, he would find some way to find something in common with you — this ability to find the best in people is what he did so well as a journalist and told the stories of the people behind the war/conflict zone headlines. There are people in the real world, not just geo-political strategies,” Hughes said
His work left lasting impressions on several international correspondents, including “AC360” anchor Anderson Cooper and CNN Chief International Correspondent Christiane Amanpour. “Dan’s story is inspirational because he embodied the old-time war correspondent despite his very young age,” Amanpour said. “He went to an important but very dangerous place to bring back stories that actually mattered. Stories no one can ever forget, as he paid for them with his life.”
In addition to the movie, Dan’s legacy as a global activist lives on in an organization called Creative Visions. Founded by Kathy and Amy, the non-profit aims to spark awareness and ignite change through impact media, the arts and technology.
“We received hundreds of letters from people who were so inspired by Dan, they were literally ripping off their ties and leaving their day jobs and going off to make a change in the world. He lit fires in people,” Amy recounted. “We started this organization to help people tell stories about issues that need to be solved in the world.”
To date, Creative Visions has reached more than 100 million people through 260 projects and productions focusing on social, humanitarian and environmental issues, and through its “Rock Your World Youth Empowerment Program” that teaches students about the Declaration of Human Rights and gives them the tools and resources to advocate for issues that matter to them.
“If each one of us resolves to not look away,” Kathy Eldon says, change can come. “We have to look towards; we have to see ourselves in that other person. Realize that we are all one. You may not be able to go to Somalia or Yemen. But we have to be aware; we have to vote; we have to be informed citizens; we have to watch the news; we have to take a stand and move towards the people in need who could be us tomorrow.
“At a time of intense pain in this world, of the other being so reviled, at a time of chaos, anger and true hatred, I believe this film is truly a clarion call of connectivity and of bringing people together.”
Nadeem Siddiqui gets an all-expense paid trip to the festival as prize-giving in Toronto gets underway.
The Black List is best known for releasing an annual survey that highlights Hollywood’s best unproduced screenplays, as voted on by hundreds of film executives.
Now the service is also honoring screenwriters at the Toronto Film Festival as the prizing-giving there got underway Thursday. The Black List and David Cronenberg’s producer Martin Katz teamed up to award Nadeem Siddiqui their 2017 TIFF/Martin Katz Independent Screenwriting Fellowship.
As part of the fellowship, Siddiqui receives an all-expense paid trip to TIFF, which runs through Sept. 17. Siddiqui’s dark romantic comedy script Slut made the cut on The Black List, whose ranked screenplays have gone on to be produced and earned 50 Oscars and more than $26 billion in box office worldwide.
“Nadeem’s writing is assured, funny and in-your-face sexy. He has written a romp of a romantic comedy, and I’m excited to be able to introduce him to the industry at TIFF,” Katz said Thursday. Katz via his Prospero Pictures shingle has produced Cronenberg films like Spider, A Dangerous Method, Cosmopolis and Maps to the Stars, which earned Julianne Moore the best actress Palme d’Or in Cannes.
Katz is also chair of the Academy of Canadian Cinema and Television. Siddiqui is represented by Woolf + Lapin Agency.
Production is underway in Toronto and Port Hope, ON on the horror thriller, Our House, the first feature film from director Anthony Scott Burns.
The Canada-Germany coproduction is produced by Prospero Pictures, Resolute Films and Entertainment and Senator Film Produktion.
The film, a remake of the 2010 sci-fi film Ghost from the Machine, is written by Moon screenwriter Nathan Parker. It follows Ethan (played by Me and Earl and the Dying Girl‘s Thomas Mann), a young genius who accidentally creates a device that can potentially bring spirits back from the dead.
Prospero’s Martin Katz and Resolute Films’ Lee Kim were brought together by mutual friend and Elevation Pictures co-president Noah Segal, who encouraged them to pursue a coproduction. They then approached Ulf Israel of Senator to come on board.
“Here you have an exciting well-known British writer who did Moon and Equals, with a hot new young director who is Canadian. It just was right for a coproduction structure,” said Resolute’s Kim in an interview with Playback Daily.
“Lee’s done a lot of lower-budget really commercial-oriented films, and I’ve done a lot of international coproductions,” added Katz. “The whole is greater than the sum of its parts.”
For Katz, a frequent David Cronenberg collaborator, the project offered him the opportunity to work with an up-and-coming auteur director on an “old-fashioned horror film for the whole family” with wide commercial appeal.
“One area of the market that seems to be stronger than ever is the elevated genre [film],” he says. “Usually it’s either high-concept or it’s the artistry with which the filmmaker is going to deal with the subject matter. I think that’s really what we’ve got here – an auteur director who is going to deliver a film which works the genre level but is also seen as artful cinema. That’s the home run when you’re working in the business,” he said.
Burns, who has previously directed short films and commercials and worked as a VFX artist, has big fans in Lee and Katz, who call the first-time feature director “amazingly talented.”
The producers are targeting Sundance for the film’s premiere and sales at the Berlin market. Our House has already been pre-sold in a number of territories including Elevation Pictures in Canada, Wild Bunch in Germany, Sun Distribution in Latin America and Spain, Abbolita for multiple territories and Falcon Films in the Middle East. XYZ Films are handling foreign sales and co-repping domestic sales with WME.
Our House is produced by Lee Kim, Martin Katz, Karen Wookey and Ulf Israel. Executive producers are Derek Dauchy, John Davis, Kyle Franke, David Kehrl, Adrian Love, Reik Möller, Noah Segal and Nick Spicer.